Above & Below
Master of Arts Thesis
Master of Arts Thesis
My work uses abstraction of form to describe the intersection between humans and the environment while relating the landscape of our skin to the ever-changing qualities of the natural landscape surrounding us. The photographic material is stressed resulting in creases and tears as it is being contorted by human impact. At the same time that I am creating something new, I am manipulating artifactual evidence of something that already exists in everyday life. This is akin to how our bodies are distorted by outer influence, as well as our own autonomy. Above and below the surface of our bodies and the natural world do not differ too far from one another.
The landscape images in this series explore the quality and health of the Minnesota River. The work aims to extend beyond the pollution into a broader connection of humans and the ways life affects our surroundings and water sources. As the most polluted waterway within the state, the Minnesota River merges with the Mississippi River, near Minneapolis-St. Paul. The transference of the Minnesota River’s elevated and suspended solids and nutrients eventually contribute to the adverse water quality downstream as the Mississippi River flows through our nation.
We as humans coexist with the natural world through continuous adaptation and the conscious urge to continue living despite the elements that disrupt our being.
Skin Connections 2
folded inkjet prints
folded inkjet prints
Geo-Skin Form 2
inkjet prints, paper
inkjet prints, paper
Suspended
combined folded inkjet prints
combined folded inkjet prints
water quality comparison
Reclaimed negatives out of Minnesota River water
Once deinstalling the exhibition, I scanned the negatives that were submerged in the tank during the 2 week period. Most of the imagery within the fragments deteriorated over time revealing the fragile condition of photographs well as the temporality of the landscape they documented.
Once deinstalling the exhibition, I scanned the negatives that were submerged in the tank during the 2 week period. Most of the imagery within the fragments deteriorated over time revealing the fragile condition of photographs well as the temporality of the landscape they documented.